Exhibition:
'2275', Villa Rospigliosi
March, 2024
Site specific installation commissioned by Chorasis lo spazio della Visione. Two thousand two hundred and seventy-five: it’s the number of masks collected from the ground by Giovanni Presutti. To make sense of this "uplift", we have to rewind the artistic tape of the Tuscan visual activist. We will find evidence that weaves a sail route towards a more sustainable future. Away from a present of fine microplastics, floods, mountains of waste, harmful emissions, and releases of responsibility that cement the best intentions in a mask of impotence. An invitation to explore the boundaries of a declining Western paradigm to undertake a journey where certainties fade, especially for generations to come.
Urbanautica Journal (review)
Exhibition:
'2275', Villa Rospigliosi
March, 2024
Site specific installation commissioned by Chorasis lo spazio della Visione. Two thousand two hundred and seventy-five: it’s the number of masks collected from the ground by Giovanni Presutti. To make sense of this "uplift", we have to rewind the artistic tape of the Tuscan visual activist. We will find evidence that weaves a sail route towards a more sustainable future. Away from a present of fine microplastics, floods, mountains of waste, harmful emissions, and releases of responsibility that cement the best intentions in a mask of impotence. An invitation to explore the boundaries of a declining Western paradigm to undertake a journey where certainties fade, especially for generations to come.
Urbanautica Journal (review)
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico