April, 2022
Distance is a simplified image of reality, often adopted to connote human and social relationships. The photographic device as a tool for investigation and representation of the visible offers the possibility of measuring these gaps, made up of spaces and conventions, sometimes reducing the terms between what is a phenomenon in itself and the idea we have made of it. The exhibition explores the question of distance from different perspectives: familial, generational, and geographical. In each, photography emerges as an opportunity for understanding, proximity, and potential interest in human relationships, for broader thinking—a dialectic beyond the limits of communication, connecting us in a dream. As described by Manari Ushigua (guide of the Sápara, Amazonian tribe): "We have lost the art of listening. Now the first thing we do when something appears is to take a picture." Paraphrasing the anthropologist Eduardo Kohn, we wonder if photographic listening can be a practice to open up to the unexpected, leaving aside the patterns with which we usually think.
April, 2022
Distance is a simplified image of reality, often adopted to connote human and social relationships. The photographic device as a tool for investigation and representation of the visible offers the possibility of measuring these gaps, made up of spaces and conventions, sometimes reducing the terms between what is a phenomenon in itself and the idea we have made of it. The exhibition explores the question of distance from different perspectives: familial, generational, and geographical. In each, photography emerges as an opportunity for understanding, proximity, and potential interest in human relationships, for broader thinking—a dialectic beyond the limits of communication, connecting us in a dream. As described by Manari Ushigua (guide of the Sápara, Amazonian tribe): "We have lost the art of listening. Now the first thing we do when something appears is to take a picture." Paraphrasing the anthropologist Eduardo Kohn, we wonder if photographic listening can be a practice to open up to the unexpected, leaving aside the patterns with which we usually think.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico