April, 2022
Distance is a simplified image of reality, often adopted to connote human and social relationships. The photographic device as a tool for investigation and representation of the visible offers the possibility of measuring these gaps, made up of spaces and conventions, sometimes reducing the terms between what is a phenomenon in itself and the idea we have made of it. The exhibition explores the question of distance from different perspectives: familial, generational, and geographical. In each, photography emerges as an opportunity for understanding, proximity, and potential interest in human relationships, for broader thinking—a dialectic beyond the limits of communication, connecting us in a dream. As described by Manari Ushigua (guide of the Sápara, Amazonian tribe): "We have lost the art of listening. Now the first thing we do when something appears is to take a picture." Paraphrasing the anthropologist Eduardo Kohn, we wonder if photographic listening can be a practice to open up to the unexpected, leaving aside the patterns with which we usually think.
April, 2022
Distance is a simplified image of reality, often adopted to connote human and social relationships. The photographic device as a tool for investigation and representation of the visible offers the possibility of measuring these gaps, made up of spaces and conventions, sometimes reducing the terms between what is a phenomenon in itself and the idea we have made of it. The exhibition explores the question of distance from different perspectives: familial, generational, and geographical. In each, photography emerges as an opportunity for understanding, proximity, and potential interest in human relationships, for broader thinking—a dialectic beyond the limits of communication, connecting us in a dream. As described by Manari Ushigua (guide of the Sápara, Amazonian tribe): "We have lost the art of listening. Now the first thing we do when something appears is to take a picture." Paraphrasing the anthropologist Eduardo Kohn, we wonder if photographic listening can be a practice to open up to the unexpected, leaving aside the patterns with which we usually think.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
—
Design by Roberto Vito D'Amico