What impact does environmental change have on society and individuals? At this precise moment in history, awareness of the ability of human action to affect the planet on a global/local scale is at the highest levels in the scientific community and rampant in public opinion. The term Anthropocene, introduced by the chemist and Nobel Prize winner Paul Crutzen to define the current geological era, has made its way into the shared dictionary. Yet the challenges to be solved are overwhelmingly urgent. A conflictual gap is growing with the new generations who observe an "adult" class unable to take the issue seriously. The consequences of this "shared impasse" are evident and show all their intensity in the frequent calamitous events disseminated in the media, in the perennial state of pollution of cities and urbanized countryside, in the disappearance of biodiversity, including cultural biodiversity, in migratory pressures, in the fragility in general of the human species increasingly allergic to its surroundings. We propose a selection of works that invite us to face the complexity of what is at stake, glimpse possible perspectives, isolate themes for further study, and encourage dialogue and debate as far as possible. The title, therefore, leverages the adjective "environmental" to decontextualize the ordinary meaning and try to see inside it. Works by Tolga Akbaş, Simon Carruthers, Noah Addis, Mia Carolina Rogersdotter, Julius C. Schreiner, Miguel Novais Rodrigues, Diego Brambilla, Silvia Mangosio, Giuseppe De Santis and Giuseppe Dipace.
What impact does environmental change have on society and individuals? At this precise moment in history, awareness of the ability of human action to affect the planet on a global/local scale is at the highest levels in the scientific community and rampant in public opinion. The term Anthropocene, introduced by the chemist and Nobel Prize winner Paul Crutzen to define the current geological era, has made its way into the shared dictionary. Yet the challenges to be solved are overwhelmingly urgent. A conflictual gap is growing with the new generations who observe an "adult" class unable to take the issue seriously. The consequences of this "shared impasse" are evident and show all their intensity in the frequent calamitous events disseminated in the media, in the perennial state of pollution of cities and urbanized countryside, in the disappearance of biodiversity, including cultural biodiversity, in migratory pressures, in the fragility in general of the human species increasingly allergic to its surroundings. We propose a selection of works that invite us to face the complexity of what is at stake, glimpse possible perspectives, isolate themes for further study, and encourage dialogue and debate as far as possible. The title, therefore, leverages the adjective "environmental" to decontextualize the ordinary meaning and try to see inside it. Works by Tolga Akbaş, Simon Carruthers, Noah Addis, Mia Carolina Rogersdotter, Julius C. Schreiner, Miguel Novais Rodrigues, Diego Brambilla, Silvia Mangosio, Giuseppe De Santis and Giuseppe Dipace.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of Photography Department.
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
• Curator
Steve Bisson has curated numerous exhibitions, festivals, workshop and photographic events both in Italy and internationally. His expertise in selecting and presenting visual has allowed him to collaborate with emerging and established artists, contributing to significant exhibition projects that explore contemporary social and cultural themes, as much as exploring civic participatory approaches. He is currently art director of Lab27 cultural centre in Italy.
• Publications
Steve Bisson is the chief-editor of Urbanautica Journal of Visual Anthropology and Cultural Landscapes, and the founder of the publishing house Penisola Edizioni. Urbanautica is an international editorial platform focused on contemporary photography and visual research, serving as a space for dialogue and reflection with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences. Bisson also contributed to countless texts, books, studies, magazines, juries.
• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of Photography Department.
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
• Curator
Steve Bisson has curated numerous exhibitions, festivals, workshop and photographic events both in Italy and internationally. His expertise in selecting and presenting visual has allowed him to collaborate with emerging and established artists, contributing to significant exhibition projects that explore contemporary social and cultural themes, as much as exploring civic participatory approaches. He is currently art director of Lab27 cultural centre in Italy.
• Publications
Steve Bisson is the chief-editor of Urbanautica Journal of Visual Anthropology and Cultural Landscapes, and the founder of the publishing house Penisola Edizioni. Urbanautica is an international editorial platform focused on contemporary photography and visual research, serving as a space for dialogue and reflection with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences. Bisson also contributed to countless texts, books, studies, magazines, juries.
• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).
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Design by Roberto Vito D'Amico