A unique catalog covering the work of 30 photographers selected through a special call by the Urbanautica Institute. Altogether these works help us to draw a map of issues, questions, perspectives, interpretations. Would we keep believing that we can exist above or outside of nature? This is a possibility which however is increasingly translating into a threat to our survival. It is up to us to decide whether we want to reconsider our position on this planet.
The catalog 'Extinction' starts with an introductory quote by the philosopher Günther Anders that leads us to consider the gravity of the human situation at a time when our blatant subordination to progress is increasingly consciously felt. As if the human race was left with nothing but chasing the consequences of its actions. Constant attempts to remedy man-made damage and catastrophes appear increasingly pitiful and clumsy; like emptying water from a sinking ship with a bucket. This “Promethean shame” undermines the Enlightenment creed that had opened the windows on a rosy and promising future. An ascent to widespread well-being pushed by the triumph of reason, on emancipation from a mediocre past, on the dare to know, on the split between culture and nature. Unfortunately for us, all that remains are the ashes of this age-old illusion, of this macabre utopia by now vanished.
urbanauticainstitute.com (sold out)
urbanautica.com (review)
A unique catalog covering the work of 30 photographers selected through a special call by the Urbanautica Institute. Altogether these works help us to draw a map of issues, questions, perspectives, interpretations. Would we keep believing that we can exist above or outside of nature? This is a possibility which however is increasingly translating into a threat to our survival. It is up to us to decide whether we want to reconsider our position on this planet.
The catalog 'Extinction' starts with an introductory quote by the philosopher Günther Anders that leads us to consider the gravity of the human situation at a time when our blatant subordination to progress is increasingly consciously felt. As if the human race was left with nothing but chasing the consequences of its actions. Constant attempts to remedy man-made damage and catastrophes appear increasingly pitiful and clumsy; like emptying water from a sinking ship with a bucket. This “Promethean shame” undermines the Enlightenment creed that had opened the windows on a rosy and promising future. An ascent to widespread well-being pushed by the triumph of reason, on emancipation from a mediocre past, on the dare to know, on the split between culture and nature. Unfortunately for us, all that remains are the ashes of this age-old illusion, of this macabre utopia by now vanished.
urbanauticainstitute.com (sold out)
urbanautica.com (review)
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico