Exhibition:
'Translations' by Sofie Knijff
September, 2011
The exhibition is conceived for Bassano Fotografia Festival as an installation that converses with the old dismissed church. The abandoned church, emptied of its religious function, welcomes children's dreams into its austere and evocative spaces and is populated with different perspectives. Of a new faith that has nothing to do with an imposition but with profound desires. In her work, Sofie creates “theatrical” spaces in which illusion and reality mingle. Over the past year, Sofie has travelled across South Africa, India and Mali to portray children and their fantasy worlds and dreams. Her aim was to isolate them from their surroundings, and daily lives, and focus their attention to reveal their own “dream character”. By using the same backdrop, she created a stage on which the dreams could come to life. At the same time, she took images of the empty spaces in which the same children live; allowing to create a set of images where the inside and outside mirror and influence one another.The impact of time underpins this project. It is hard not to wonder what will become of childhood dreams and expectations.
Exhibition:
'Translations' by Sofie Knijff
September, 2011
The exhibition is conceived for Bassano Fotografia Festival as an installation that converses with the old dismissed church. The abandoned church, emptied of its religious function, welcomes children's dreams into its austere and evocative spaces and is populated with different perspectives. Of a new faith that has nothing to do with an imposition but with profound desires. In her work, Sofie creates “theatrical” spaces in which illusion and reality mingle. Over the past year, Sofie has travelled across South Africa, India and Mali to portray children and their fantasy worlds and dreams. Her aim was to isolate them from their surroundings, and daily lives, and focus their attention to reveal their own “dream character”. By using the same backdrop, she created a stage on which the dreams could come to life. At the same time, she took images of the empty spaces in which the same children live; allowing to create a set of images where the inside and outside mirror and influence one another.The impact of time underpins this project. It is hard not to wonder what will become of childhood dreams and expectations.
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
—
Design by Roberto Vito D'Amico