This publication stems from a photographic survey by Andrea Buzzichelli in 2015 in the National Park of Casentinesi Forests, Italy. Starting from collecting archival materials made by the National Forest Service and the Canilupus Association for wildlife monitoring, the Tuscan photographer creates his vision of the forest and the wildlife. These images, not at all descriptive, catapult the gaze into a forbidden, mysterious, and obscure imaginary world. Buzzichelli resets the boundary between the acquired and built image. The casual bestiary photo traps produce blends with the artist’s introspective views of nature and vegetation. The project as a whole expresses a sense of intrusive power in an otherwise unviable world, as well as a voyeuristic approach to nature. Upon careful viewing, the book ‘Inhabitants’ reveals the humanness of its very nature, of an anthropocentric posture eradicated and sometimes extraneous to the environment. With no particular reference to time, the author carries us into a dimension that has to do more with feeling than seeing. It’s in this “blind” perspective that Buzzichelli realizes his homage to the pioneering work of George Shiras III.
Andrea Buzzichelli
urbanauticainstitute.com (bookshop)
This publication stems from a photographic survey by Andrea Buzzichelli in 2015 in the National Park of Casentinesi Forests, Italy. Starting from collecting archival materials made by the National Forest Service and the Canilupus Association for wildlife monitoring, the Tuscan photographer creates his vision of the forest and the wildlife. These images, not at all descriptive, catapult the gaze into a forbidden, mysterious, and obscure imaginary world. Buzzichelli resets the boundary between the acquired and built image. The casual bestiary photo traps produce blends with the artist’s introspective views of nature and vegetation. The project as a whole expresses a sense of intrusive power in an otherwise unviable world, as well as a voyeuristic approach to nature. Upon careful viewing, the book ‘Inhabitants’ reveals the humanness of its very nature, of an anthropocentric posture eradicated and sometimes extraneous to the environment. With no particular reference to time, the author carries us into a dimension that has to do more with feeling than seeing. It’s in this “blind” perspective that Buzzichelli realizes his homage to the pioneering work of George Shiras III.
Andrea Buzzichelli
urbanauticainstitute.com (bookshop)
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico