'Río', the book, comes from enormous photographic archive of a five years' work. The project began in early 2011, when Andrés Medina started taking pictures near the Tagus river, through the town of Aranjuez, Spain. At that time he was living very close to that area and he often enjoyed walking around and exploring this territory. He felt very much connected with nature and the landscape in a poetic sense. Often he found himself wandering for hours deep into the river environment. Then he decided to gradually expand his explorantion along the river Tagus, from Guadalajara to Madrid's Community, ending in the Province of Toledo. Further on in 2012, he become conscious that the project was far beyond one river, and deepening on the universal meaning of the "river", as an idea or concept. The river landscape in a wider sense. So he moved to others rivers, the Manzanares, Jarama, Eresma... From 2011 to 2015 he kept on taking pictures. Then, in 2015, he began to think about a book...
urbanauticainstitute.com (bookshop)
Gabriela Cendoya (review, Spanish)
'Río', the book, comes from enormous photographic archive of a five years' work. The project began in early 2011, when Andrés Medina started taking pictures near the Tagus river, through the town of Aranjuez, Spain. At that time he was living very close to that area and he often enjoyed walking around and exploring this territory. He felt very much connected with nature and the landscape in a poetic sense. Often he found himself wandering for hours deep into the river environment. Then he decided to gradually expand his explorantion along the river Tagus, from Guadalajara to Madrid's Community, ending in the Province of Toledo. Further on in 2012, he become conscious that the project was far beyond one river, and deepening on the universal meaning of the "river", as an idea or concept. The river landscape in a wider sense. So he moved to others rivers, the Manzanares, Jarama, Eresma... From 2011 to 2015 he kept on taking pictures. Then, in 2015, he began to think about a book...
urbanauticainstitute.com (bookshop)
Gabriela Cendoya (review, Spanish)
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico