Exhibition:
'The Game is Killing the Game' by David Chancellor, Hong Kong
June, 2014
The Salt Yard, an independent art space, will exhibit David Chancellor’s “The Game Is Killing The Game”, a documentary series on hunting safaris that he photographed in South Africa over the years. Since the beginning of the 20th century, East African hunting safaris has became a fashionable pursuit among members of the privileged classes in Europe and the United States. It was also a source of revenue for the British colonial government and produces a group of professional hunters who especially served these privileged classes. Big-game hunting is still vibrant recently but it now exists in the form of the so-called game ranching that habitats of livestock farming are turned into venues for wild animals in captivity and places for tourists enjoying hunting. These ranches are now popular in South Africa and are authorized in many African countries. The documentary series of David Chancellor fully revealed the various perspectives of South African hunting safaris, including the hunter and the hunted as well as the displaying of stuffed animals as trophies. People hunted in order to fill their stomachs or make a living in the past but now they hunt for pleasure. Chancellor’s works call for a reflection of this ancient and uncivilized “sport” when animal right is a hot topic in the globe.
Exhibition:
'The Game is Killing the Game' by David Chancellor, Hong Kong
June, 2014
The Salt Yard, an independent art space, will exhibit David Chancellor’s “The Game Is Killing The Game”, a documentary series on hunting safaris that he photographed in South Africa over the years. Since the beginning of the 20th century, East African hunting safaris has became a fashionable pursuit among members of the privileged classes in Europe and the United States. It was also a source of revenue for the British colonial government and produces a group of professional hunters who especially served these privileged classes. Big-game hunting is still vibrant recently but it now exists in the form of the so-called game ranching that habitats of livestock farming are turned into venues for wild animals in captivity and places for tourists enjoying hunting. These ranches are now popular in South Africa and are authorized in many African countries. The documentary series of David Chancellor fully revealed the various perspectives of South African hunting safaris, including the hunter and the hunted as well as the displaying of stuffed animals as trophies. People hunted in order to fill their stomachs or make a living in the past but now they hunt for pleasure. Chancellor’s works call for a reflection of this ancient and uncivilized “sport” when animal right is a hot topic in the globe.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico