I wrote an essay for the book by Antiga Edizioni which covers the entire career of the photojournalist Giorgio Salomon. Over 50 years of visual imprints on facts and stories that have marked the history of Italy. Terrorism and political seasons, the Vajont tragedy, the floods 1966, and the earthquake in Friuli. Giorgio was there with a 6x6 Rolleiflex over his shoulder. And later crossing the world's borders, in color, to question and chase human conditions. From the Gulf War in the early nineties to the Balkan routes. Afghanistan and more. And finally his love for mountains, his favorite skyline. The essay titled "Why photos?"questions the meaning of reportage and photojournalism dramatically affected by the digital transition. Alongside the writings of Giorgio Salomon, Franco de Battaglia and Daniele Valentini.
I wrote an essay for the book by Antiga Edizioni which covers the entire career of the photojournalist Giorgio Salomon. Over 50 years of visual imprints on facts and stories that have marked the history of Italy. Terrorism and political seasons, the Vajont tragedy, the floods 1966, and the earthquake in Friuli. Giorgio was there with a 6x6 Rolleiflex over his shoulder. And later crossing the world's borders, in color, to question and chase human conditions. From the Gulf War in the early nineties to the Balkan routes. Afghanistan and more. And finally his love for mountains, his favorite skyline. The essay titled "Why photos?"questions the meaning of reportage and photojournalism dramatically affected by the digital transition. Alongside the writings of Giorgio Salomon, Franco de Battaglia and Daniele Valentini.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico