European Cultural Centre, Venice
Blurring the Lines is a non-profit organization that seeks to promote and encourage all initiatives in various fields of photography and education, contributing to academic, local, and global dialogues and enabling young graduates to obtain international recognition.
As part of the educational and dissemination activities of Blurring the Lines, I have curated, together with Klaus Fruchtnis and the European Cultural Center Foundation, the last four editions of the international conference, which respectively met the following questions: "Meaning in the Making" (2022), "Ethical shifts in photography" (2021), "Diffuse and Distributing Images" (2020), "Notions of Storytelling" (2019).
The annual conference aims to fuel the debate on the role of image-making concerning challenges and society’s urgencies.
European Cultural Centre, Venice
Blurring the Lines is a non-profit organization that seeks to promote and encourage all initiatives in various fields of photography and education, contributing to academic, local, and global dialogues and enabling young graduates to obtain international recognition.
As part of the educational and dissemination activities of Blurring the Lines, I have curated, together with Klaus Fruchtnis and the European Cultural Center Foundation, the last four editions of the international conference, which respectively met the following questions: "Meaning in the Making" (2022), "Ethical shifts in photography" (2021), "Diffuse and Distributing Images" (2020), "Notions of Storytelling" (2019).
The annual conference aims to fuel the debate on the role of image-making concerning challenges and society’s urgencies.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico