September, 2022
An invitation to consider war not only as an event, but a process that affects society, a structural tension that crosses it, brands it, and inevitably conditions it. Ziyah Gafić was 12 when the Bosnian war started. “Heartland” captures the quiet, solitude, and determination of people who carry on despite thousands of bodies still being exhumed from mass graves. Nikita Teryoshin leads the observer behind the scenes of the global defense business, the opposite of the battlefield: a vast playground for generals and politicians, where the industry mixes with appetizers and shiny weapons.
350 bunkers were built before the outbreak of World War II along the border with Austria in the disputed territory of South Tyrol. Vincenzo Pagliuca explores the educational value of this heritage and also the potential metamorphoses in the future.
Despite the enormous deployment of resources and propaganda, none of the bunkers in Albania has ever served in any conflict. Filippo Bardazzi reminds us that these structures remain a vivid testimony against nationalism and authoritarian regimes that often use war as a threat to fuel power and control over the population.
September, 2022
An invitation to consider war not only as an event, but a process that affects society, a structural tension that crosses it, brands it, and inevitably conditions it. Ziyah Gafić was 12 when the Bosnian war started. “Heartland” captures the quiet, solitude, and determination of people who carry on despite thousands of bodies still being exhumed from mass graves. Nikita Teryoshin leads the observer behind the scenes of the global defense business, the opposite of the battlefield: a vast playground for generals and politicians, where the industry mixes with appetizers and shiny weapons.
350 bunkers were built before the outbreak of World War II along the border with Austria in the disputed territory of South Tyrol. Vincenzo Pagliuca explores the educational value of this heritage and also the potential metamorphoses in the future.
Despite the enormous deployment of resources and propaganda, none of the bunkers in Albania has ever served in any conflict. Filippo Bardazzi reminds us that these structures remain a vivid testimony against nationalism and authoritarian regimes that often use war as a threat to fuel power and control over the population.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
—
Design by Roberto Vito D'Amico