September, 2022
An invitation to consider war not only as an event, but a process that affects society, a structural tension that crosses it, brands it, and inevitably conditions it. Ziyah Gafić was 12 when the Bosnian war started. “Heartland” captures the quiet, solitude, and determination of people who carry on despite thousands of bodies still being exhumed from mass graves. Nikita Teryoshin leads the observer behind the scenes of the global defense business, the opposite of the battlefield: a vast playground for generals and politicians, where the industry mixes with appetizers and shiny weapons.
350 bunkers were built before the outbreak of World War II along the border with Austria in the disputed territory of South Tyrol. Vincenzo Pagliuca explores the educational value of this heritage and also the potential metamorphoses in the future.
Despite the enormous deployment of resources and propaganda, none of the bunkers in Albania has ever served in any conflict. Filippo Bardazzi reminds us that these structures remain a vivid testimony against nationalism and authoritarian regimes that often use war as a threat to fuel power and control over the population.
September, 2022
An invitation to consider war not only as an event, but a process that affects society, a structural tension that crosses it, brands it, and inevitably conditions it. Ziyah Gafić was 12 when the Bosnian war started. “Heartland” captures the quiet, solitude, and determination of people who carry on despite thousands of bodies still being exhumed from mass graves. Nikita Teryoshin leads the observer behind the scenes of the global defense business, the opposite of the battlefield: a vast playground for generals and politicians, where the industry mixes with appetizers and shiny weapons.
350 bunkers were built before the outbreak of World War II along the border with Austria in the disputed territory of South Tyrol. Vincenzo Pagliuca explores the educational value of this heritage and also the potential metamorphoses in the future.
Despite the enormous deployment of resources and propaganda, none of the bunkers in Albania has ever served in any conflict. Filippo Bardazzi reminds us that these structures remain a vivid testimony against nationalism and authoritarian regimes that often use war as a threat to fuel power and control over the population.
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico