Steve Bisson
Steve Bisson

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Exhibition:
'Prospettiva Fitocentrica', Centro Pecci

March, 2023

Caring about the earth, the relationship with nature, and environmental responsibility are reference themes in the practice of the collective of Italian photographers. The visual action "Prospettiva Fitocentrica" recognizes the archetypal figure of the tree as a significant means of reconciliation with the world. In the spring of 2021, the initiative started through a symbolical plantation of a dogwood tree in Prato; the first municipality in Italy to extensively adopt specific technical standards in its POC (Municipal Operational Plan) to outline a "bio-diverse" vision of growth for the future, but also a "radical" gesture aimed at affirming the dignity of plants in the city and a militant role of art. The Municipal Parcel 426 is a patch of green space between a car park, a railway track, and a road. Following the performance, the collective members visually adopted some of Prato's monumental trees and created works designed for an en plein air awareness campaign. It's a journey of observation, study, and dialogue with the "green veterans" who represent a statuary message of organic resistance and, above all, an opportunity to rethink that anthropocentric posture that more and more young people have chosen to question.

Centro Pecci

1/15

< Back

Exhibition:
'Prospettiva Fitocentrica', Centro Pecci

March, 2023

Caring about the earth, the relationship with nature, and environmental responsibility are reference themes in the practice of the collective of Italian photographers. The visual action "Prospettiva Fitocentrica" recognizes the archetypal figure of the tree as a significant means of reconciliation with the world. In the spring of 2021, the initiative started through a symbolical plantation of a dogwood tree in Prato; the first municipality in Italy to extensively adopt specific technical standards in its POC (Municipal Operational Plan) to outline a "bio-diverse" vision of growth for the future, but also a "radical" gesture aimed at affirming the dignity of plants in the city and a militant role of art. The Municipal Parcel 426 is a patch of green space between a car park, a railway track, and a road. Following the performance, the collective members visually adopted some of Prato's monumental trees and created works designed for an en plein air awareness campaign. It's a journey of observation, study, and dialogue with the "green veterans" who represent a statuary message of organic resistance and, above all, an opportunity to rethink that anthropocentric posture that more and more young people have chosen to question.

Centro Pecci

1/15
Steve Bisson

Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.

Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.

I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.

I spent the past 20 years questioning the role of images in society.

 

• Coaching and Portfolio Review

Go to Coaching and Portfolio Review page

 

• Contacts

Facebook / Instagram / info@stevebisson.com

• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of  Photography Department, and since then directing activities.

Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.

• Curator
Steve Bisson has curated a wide range of initiatives, including hundreds of exhibitions, festivals, workshops, and events, while exploring contemporary social and cultural themes, as well as civic participatory approaches. Since 2020, he has been the Art Director of Lab27, a cultural centre in Italy, where he advocates for visual literacy.

• Publications
Steve Bisson is the chief-editor of 'Urbanautica Journal of Visual Anthropology and Cultural Landscapes', an international editorial platform focused on contemporary photography with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences.

In 2017 he founded the publishing house Penisola Edizioni.

Bisson also contributed to countless texts, books, studies, magazines, juries.

• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).

—
Design by Roberto Vito D'Amico

Steve Bisson

Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.

Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.

I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.

I spent the past 20 years questioning the role of images in society.

 

• Coaching and Portfolio Review

Go to Coaching and Portfolio Review page

 

• Contacts

Facebook / Instagram / info@stevebisson.com

• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of  Photography Department, and since then directing activities.

Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.

• Curator
Steve Bisson has curated a wide range of initiatives, including hundreds of exhibitions, festivals, workshops, and events, while exploring contemporary social and cultural themes, as well as civic participatory approaches. Since 2020, he has been the Art Director of Lab27, a cultural centre in Italy, where he advocates for visual literacy.

• Publications
Steve Bisson is the chief-editor of 'Urbanautica Journal of Visual Anthropology and Cultural Landscapes', an international editorial platform focused on contemporary photography with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences.

In 2017 he founded the publishing house Penisola Edizioni.

Bisson also contributed to countless texts, books, studies, magazines, juries.

• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).

—
Design by Roberto Vito D'Amico

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