February, 2022
Peru is among the countries hardest hit by the Covid-19 pandemic. At the end of January 2022, tens of thousands of miners protested in the streets to denounce working conditions that violate human dignity and to ask for a minimum guarantee of health safety. This situation further aggravates the quality of life in mining regions already compromised by disconcerting pollution thresholds. The greedy race for profits of the large multinationals to grab the underground resources on the skin of workers and families, whose precariousness leaves little other hope, brings us back to consider the dramatic impact of neo-colonialism in Latin America. A sense of ineluctability that can justify the thesis of Gilles Dauvé, "capitalism will never be ecological." From this point of view, the South American country seems to represent a borderline which, however, magnifies issues of planetary interest, which concern everyone, in short, and with all due respect to publicity in green sauce. As we dig into the reasons for exploitation, ecological abomination, and social inequalities, we can unmask the threads that intertwine the puppeteers. Here is the Peruvian lesson.
February, 2022
Peru is among the countries hardest hit by the Covid-19 pandemic. At the end of January 2022, tens of thousands of miners protested in the streets to denounce working conditions that violate human dignity and to ask for a minimum guarantee of health safety. This situation further aggravates the quality of life in mining regions already compromised by disconcerting pollution thresholds. The greedy race for profits of the large multinationals to grab the underground resources on the skin of workers and families, whose precariousness leaves little other hope, brings us back to consider the dramatic impact of neo-colonialism in Latin America. A sense of ineluctability that can justify the thesis of Gilles Dauvé, "capitalism will never be ecological." From this point of view, the South American country seems to represent a borderline which, however, magnifies issues of planetary interest, which concern everyone, in short, and with all due respect to publicity in green sauce. As we dig into the reasons for exploitation, ecological abomination, and social inequalities, we can unmask the threads that intertwine the puppeteers. Here is the Peruvian lesson.
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico