February, 2022
Peru is among the countries hardest hit by the Covid-19 pandemic. At the end of January 2022, tens of thousands of miners protested in the streets to denounce working conditions that violate human dignity and to ask for a minimum guarantee of health safety. This situation further aggravates the quality of life in mining regions already compromised by disconcerting pollution thresholds. The greedy race for profits of the large multinationals to grab the underground resources on the skin of workers and families, whose precariousness leaves little other hope, brings us back to consider the dramatic impact of neo-colonialism in Latin America. A sense of ineluctability that can justify the thesis of Gilles Dauvé, "capitalism will never be ecological." From this point of view, the South American country seems to represent a borderline which, however, magnifies issues of planetary interest, which concern everyone, in short, and with all due respect to publicity in green sauce. As we dig into the reasons for exploitation, ecological abomination, and social inequalities, we can unmask the threads that intertwine the puppeteers. Here is the Peruvian lesson.
February, 2022
Peru is among the countries hardest hit by the Covid-19 pandemic. At the end of January 2022, tens of thousands of miners protested in the streets to denounce working conditions that violate human dignity and to ask for a minimum guarantee of health safety. This situation further aggravates the quality of life in mining regions already compromised by disconcerting pollution thresholds. The greedy race for profits of the large multinationals to grab the underground resources on the skin of workers and families, whose precariousness leaves little other hope, brings us back to consider the dramatic impact of neo-colonialism in Latin America. A sense of ineluctability that can justify the thesis of Gilles Dauvé, "capitalism will never be ecological." From this point of view, the South American country seems to represent a borderline which, however, magnifies issues of planetary interest, which concern everyone, in short, and with all due respect to publicity in green sauce. As we dig into the reasons for exploitation, ecological abomination, and social inequalities, we can unmask the threads that intertwine the puppeteers. Here is the Peruvian lesson.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico