Febbraio, 2025
The latest exhibition at Lab27, "Sei un animale" ("You Are an Animal") offers glimpses into the understanding of the relationship with heterotrophic life forms closely related to humans. Featured by photographer David Chancellor one of the most dedicated and committed observers of African wildlife. Alongside his works, a selection by Giulia Degasperi, drawn from a long documentary about pastoral life in the Trentino Alps, and portraits of Kazakh fishermen by Kyrgyz photographer Aleksey Kondratyev.
Human fascination with nature, including through photography, has been a constant throughout our evolutionary history. Early representations and cave paintings often depict animals and, at times, hunting scenes. The etymology of the word animal contains anima, which refers to the life force, the breath that connects us organically to the world and animates existence. An animal is something animated, and thus humans can also be considered animals. However, not in a "zoo," a term from Greek that specifically denotes distinction rather than similarity. It is this intellectual distinction, separating humans from other living beings, that fuels the development of an anthropocentric culture, placing humans at the top of the organic life hierarchy, reducing it to raw material—canned meat, or whatever else one may wish to call it.
Febbraio, 2025
The latest exhibition at Lab27, "Sei un animale" ("You Are an Animal") offers glimpses into the understanding of the relationship with heterotrophic life forms closely related to humans. Featured by photographer David Chancellor one of the most dedicated and committed observers of African wildlife. Alongside his works, a selection by Giulia Degasperi, drawn from a long documentary about pastoral life in the Trentino Alps, and portraits of Kazakh fishermen by Kyrgyz photographer Aleksey Kondratyev.
Human fascination with nature, including through photography, has been a constant throughout our evolutionary history. Early representations and cave paintings often depict animals and, at times, hunting scenes. The etymology of the word animal contains anima, which refers to the life force, the breath that connects us organically to the world and animates existence. An animal is something animated, and thus humans can also be considered animals. However, not in a "zoo," a term from Greek that specifically denotes distinction rather than similarity. It is this intellectual distinction, separating humans from other living beings, that fuels the development of an anthropocentric culture, placing humans at the top of the organic life hierarchy, reducing it to raw material—canned meat, or whatever else one may wish to call it.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
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Design by Roberto Vito D'Amico