Febbraio, 2025
The latest exhibition at Lab27, "Sei un animale" ("You Are an Animal") offers glimpses into the understanding of the relationship with heterotrophic life forms closely related to humans. Featured by photographer David Chancellor one of the most dedicated and committed observers of African wildlife. Alongside his works, a selection by Giulia Degasperi, drawn from a long documentary about pastoral life in the Trentino Alps, and portraits of Kazakh fishermen by Kyrgyz photographer Aleksey Kondratyev.
Human fascination with nature, including through photography, has been a constant throughout our evolutionary history. Early representations and cave paintings often depict animals and, at times, hunting scenes. The etymology of the word animal contains anima, which refers to the life force, the breath that connects us organically to the world and animates existence. An animal is something animated, and thus humans can also be considered animals. However, not in a "zoo," a term from Greek that specifically denotes distinction rather than similarity. It is this intellectual distinction, separating humans from other living beings, that fuels the development of an anthropocentric culture, placing humans at the top of the organic life hierarchy, reducing it to raw material—canned meat, or whatever else one may wish to call it.
Febbraio, 2025
The latest exhibition at Lab27, "Sei un animale" ("You Are an Animal") offers glimpses into the understanding of the relationship with heterotrophic life forms closely related to humans. Featured by photographer David Chancellor one of the most dedicated and committed observers of African wildlife. Alongside his works, a selection by Giulia Degasperi, drawn from a long documentary about pastoral life in the Trentino Alps, and portraits of Kazakh fishermen by Kyrgyz photographer Aleksey Kondratyev.
Human fascination with nature, including through photography, has been a constant throughout our evolutionary history. Early representations and cave paintings often depict animals and, at times, hunting scenes. The etymology of the word animal contains anima, which refers to the life force, the breath that connects us organically to the world and animates existence. An animal is something animated, and thus humans can also be considered animals. However, not in a "zoo," a term from Greek that specifically denotes distinction rather than similarity. It is this intellectual distinction, separating humans from other living beings, that fuels the development of an anthropocentric culture, placing humans at the top of the organic life hierarchy, reducing it to raw material—canned meat, or whatever else one may wish to call it.
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico