Since 2021, together with Patrizia Boschiero (coordinator of the Carlo Scarpa Prize and chief editor of the Benetton Foundation) and Lab27, I have coordinated "Publishing and landscape: contemporary photography as research," an annual cycle of public meetings dedicated to the dialogue between the landscape and contemporary photography in the publishing field. The II edition debated editorial projects that use the photographic medium in the context of territorial study practices and its representation. These are different projects and books: from the architecture, arts, and theory magazine to the exhibition catalog, from the author's monograph to the research volume. A range of methods and points of view testify to the design potential of photography when it intersects the themes of the landscape. The I edition focuses on three editorial case studies that have examined territories, histories, and visions of Northern Italy with distinct methodologies and styles. Contradictions and environmental degradation sometimes mark landscapes, yet they are full of potential creative actions connected to the gaze and its reception. Among the appointments the photographers Ziyah Gafić, Davide Degano, Mufoco Museum in Milan, Matteo Balduzzi and Claudio Borchia, the artist Filippo Minelli, La Terra di Sotto (Luca Quagliato and Luca Rinaldi).
Since 2021, together with Patrizia Boschiero (coordinator of the Carlo Scarpa Prize and chief editor of the Benetton Foundation) and Lab27, I have coordinated "Publishing and landscape: contemporary photography as research," an annual cycle of public meetings dedicated to the dialogue between the landscape and contemporary photography in the publishing field. The II edition debated editorial projects that use the photographic medium in the context of territorial study practices and its representation. These are different projects and books: from the architecture, arts, and theory magazine to the exhibition catalog, from the author's monograph to the research volume. A range of methods and points of view testify to the design potential of photography when it intersects the themes of the landscape. The I edition focuses on three editorial case studies that have examined territories, histories, and visions of Northern Italy with distinct methodologies and styles. Contradictions and environmental degradation sometimes mark landscapes, yet they are full of potential creative actions connected to the gaze and its reception. Among the appointments the photographers Ziyah Gafić, Davide Degano, Mufoco Museum in Milan, Matteo Balduzzi and Claudio Borchia, the artist Filippo Minelli, La Terra di Sotto (Luca Quagliato and Luca Rinaldi).
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico