An investigation was conducted for a few years along the A4 highway, between illegal waste trafficking and pollution. The virtuous and productive northern Italy seriously begins to deal with the environmental and health impact resulting from decades of industrial development. The tangible consequences of illegal landfills and abandoned industrial sites. Warehouses are on fire, barbarously closing the waste cycle that too often holds on criminal activity. Thanks to the disciplines of photography, cartography, urban planning, and investigative journalism, the “Terra di Sotto” aims to tell, document, collect stories and interpret data regarding the multiple environmental criticalities that impact the local system and the daily life of millions of people.
An investigation was conducted for a few years along the A4 highway, between illegal waste trafficking and pollution. The virtuous and productive northern Italy seriously begins to deal with the environmental and health impact resulting from decades of industrial development. The tangible consequences of illegal landfills and abandoned industrial sites. Warehouses are on fire, barbarously closing the waste cycle that too often holds on criminal activity. Thanks to the disciplines of photography, cartography, urban planning, and investigative journalism, the “Terra di Sotto” aims to tell, document, collect stories and interpret data regarding the multiple environmental criticalities that impact the local system and the daily life of millions of people.
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
—
Design by Roberto Vito D'Amico