Giovanni Presutti simulates a digital parody that lists, alters, and transforms imaginary personal profiles that mix fictitious and role identities. Like a demiurge, he makes a metamorphosis that orders and turns primitive chaos into an explicit editorial message through a precise performance action. He describes this obsessive need for popularity and success that hides a disguised addiction. His intention is clear, evident, almost palpable. The purchase invoice with which everything begins turns into an image of the book. The flat dimension of the screen gradually becomes three-dimensional through imperceptible interventions that draw attention to the attitude of the observers, which is often passive. Presutti plays with perception and makes fun of common sense while revealing a social lexicon pulled out of its context by stripping down its features and making it even less plausible. The simultaneous presence of all the events in the world and the monstrous flow of data destroy our ability to memorize them and inhibit our critical reaction power. We can now use symbols like smiles, hearts, and comments that are useless, fake, mediocre, bizarre, and limited. We are helpless, dazed, and addicted to the prevalence of communication possibilities over content. Reality loses its nuances, its depth, and its importance. Good and evil look just the same.
Giovanni Presutti
urbanauticainstitute.com (bookshop)
urbanautica.com (review)
Giovanni Presutti simulates a digital parody that lists, alters, and transforms imaginary personal profiles that mix fictitious and role identities. Like a demiurge, he makes a metamorphosis that orders and turns primitive chaos into an explicit editorial message through a precise performance action. He describes this obsessive need for popularity and success that hides a disguised addiction. His intention is clear, evident, almost palpable. The purchase invoice with which everything begins turns into an image of the book. The flat dimension of the screen gradually becomes three-dimensional through imperceptible interventions that draw attention to the attitude of the observers, which is often passive. Presutti plays with perception and makes fun of common sense while revealing a social lexicon pulled out of its context by stripping down its features and making it even less plausible. The simultaneous presence of all the events in the world and the monstrous flow of data destroy our ability to memorize them and inhibit our critical reaction power. We can now use symbols like smiles, hearts, and comments that are useless, fake, mediocre, bizarre, and limited. We are helpless, dazed, and addicted to the prevalence of communication possibilities over content. Reality loses its nuances, its depth, and its importance. Good and evil look just the same.
Giovanni Presutti
urbanauticainstitute.com (bookshop)
urbanautica.com (review)
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of Photography Department.
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
• Curator
Steve Bisson has curated numerous exhibitions, festivals, workshop and photographic events both in Italy and internationally. His expertise in selecting and presenting visual has allowed him to collaborate with emerging and established artists, contributing to significant exhibition projects that explore contemporary social and cultural themes, as much as exploring civic participatory approaches. He is currently art director of Lab27 cultural centre in Italy.
• Publications
Steve Bisson is the chief-editor of Urbanautica Journal of Visual Anthropology and Cultural Landscapes, and the founder of the publishing house Penisola Edizioni. Urbanautica is an international editorial platform focused on contemporary photography and visual research, serving as a space for dialogue and reflection with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences. Bisson also contributed to countless texts, books, studies, magazines, juries.
• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).
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Design by Roberto Vito D'Amico
Hi! I am Steve, a professional in the field of photography and visual arts, with a background as a curator, art director, and educator.
I’m a “mestizo,” as they say—Venetian on my father’s side, with a French surname that dates back to Napoleon’s campaigns, and a soldier from around Montpellier. My mother was born in Belgium to a Dutch family. My grandfather from Hoboken, New Jersey, on the Hudson River. I grew up a bit here and there; I currently live in Paris.
I have known the world before smartphones, computers, and the internet. Before low-cost flights. The backseat of my father's car was my window. Studies pushed me to embrace complexity, a quite observation. A gaze that "touches," that dares in some way, that strives to forge a connection.
I spent the past 20 years questioning the role of images in society.
• Teaching
As an educator, Steve Bisson taught photography and visual arts at various academic institutions. His teaching style is characterized by a combination of practical and theoretical approaches, aiming to stimulate creativity in students and deepen their understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm. In 2018, Steve Bisson joined Paris College of Art as adjunct faculty and has since then taught in different courses in the Masters of Art (MA) / Masters of Fine Arts (MFA) in Photography and Image Making, Masters of Art (MA) in Fashion Film & Photography, Bachelor of Fine Arts (BFA) in Photography. In 2022 he was appointed Chair of Photography Department.
Steve Bisson has also been giving lectures, mentoring, and collaborating with cultural and educational institutions worldwide such as: Lasalle College of Arts (Singapore) | Novia University, Master of Culture and Arts, Entrepreneurship in the Arts, and Photography (Finland) | FotoDepartment (Russia) | Museum of Contemporary Art of Vojvodina (Serbia) | FAAP – Fundação Armando Alvares Penteado (Brazil) | Fondazione Benetton Studi e Ricerche (Italy) and multiple other academies and institutions.
• Curator
Steve Bisson has curated numerous exhibitions, festivals, workshop and photographic events both in Italy and internationally. His expertise in selecting and presenting visual has allowed him to collaborate with emerging and established artists, contributing to significant exhibition projects that explore contemporary social and cultural themes, as much as exploring civic participatory approaches. He is currently art director of Lab27 cultural centre in Italy.
• Publications
Steve Bisson is the chief-editor of Urbanautica Journal of Visual Anthropology and Cultural Landscapes, and the founder of the publishing house Penisola Edizioni. Urbanautica is an international editorial platform focused on contemporary photography and visual research, serving as a space for dialogue and reflection with a strong emphasis on themes related to visual anthropology, urbanism, and social sciences. Bisson also contributed to countless texts, books, studies, magazines, juries.
• Education
Bachelor’s degree in Urban Planning from the Istituto Universitario di Architettura – IUAV of Venice, Italy (2002), and MBA from Kansas University, USA (2004).
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Design by Roberto Vito D'Amico